Smith, John Raphael. Portrait of Richard Robinson Hermitage ~ part 11

Here we observe a three-quarter length portrait rendered in monochrome, likely a mezzotint or similar tonal print technique. The subject is positioned slightly left of center, facing towards the viewer but angled away, suggesting a deliberate attempt at conveying both approachability and distance. He wears a dark coat with elaborate detailing visible around the collar and cuffs, indicative of his status. A tricorn hat sits atop his head, further emphasizing his position within a hierarchical structure. In his right hand, he holds what appears to be a walking stick or cane, leaned casually against his body; this gesture contributes to an impression of relaxed authority.
The background is complex. To the left, dense foliage obscures much of the scene, creating a sense of enclosure and perhaps hinting at the weight of responsibility borne by the subject. Through gaps in the trees, a distant landscape unfolds – a city or town with prominent structures visible on the horizon. This juxtaposition of immediate surroundings and a broader vista suggests a connection between the individual and his wider sphere of influence.
The lighting is dramatic, with strong contrasts between light and shadow that sculpt the figure’s face and clothing. The play of light highlights certain features – the brow, the chin – and creates an overall sense of gravitas. The artist has paid particular attention to rendering textures: the sheen of the fabric, the roughness of the bark on the trees, and the subtle gradations in skin tone.
Beneath the image, text is present, indicating this is a reproduction of a larger work. The script suggests an official or commemorative purpose, likely intended to celebrate or document the subject’s role. The presence of heraldic symbols further reinforces the idea that the individual held a position of significant importance within a formal system.
Subtly, theres a sense of melancholy conveyed through the figure’s gaze and posture. While he presents himself with dignity, there is an underlying quietness that hints at burdens or complexities beyond what can be immediately perceived. The darkness surrounding him contributes to this atmosphere, suggesting a man who operates within shadows as much as in light.