Furniture: Painting Screen Jacques De LaJoüe (1687-1761)

The composition presents a vertical landscape framed within an elaborate decorative border. The central scene depicts a classical architectural element – a temple or pavilion – situated amidst a carefully constructed natural setting. A woman in period dress stands near the structure, seemingly engaged in contemplation or observation of the surrounding environment.
Here we see a deliberate interplay between the man-made and the organic. The architecture, rendered with a degree of idealized precision, is integrated into a landscape characterized by soft light, gentle slopes, and dense foliage. A body of water, likely a pond or small lake, reflects the sky and the architectural details, enhancing the sense of depth and tranquility.
The decorative border itself contributes significantly to the overall effect. The rich terracotta hue provides a striking contrast to the muted tones of the landscape, drawing attention to the central scene while simultaneously suggesting its ornamental function. The swirling patterns and shell motifs evoke associations with luxury, refinement, and perhaps even maritime themes. Above the central scene, a small oval vignette features a bird in flight, adding a touch of dynamism to an otherwise static composition. Below, a fountain is depicted, reinforcing the theme of water and contributing to the overall sense of idyllic serenity.
The painting’s format as a screen suggests its intended purpose was not merely aesthetic but also functional – to divide space or create privacy within an interior setting. This context informs our understanding of the work; its less about conveying a narrative than about establishing a mood, creating a visual backdrop for social interaction, and projecting an image of cultivated taste. The presence of the woman suggests a domestic scene, hinting at leisure and refinement.
Subtly, the painting conveys a sense of idealized pastoralism – a romanticized vision of nature and classical antiquity that was popular in certain periods. It’s not a depiction of reality but rather a carefully constructed fantasy designed to evoke feelings of pleasure and escape.