John Pettie – An Arrest for Witchcraft in the Olden Time
1886. oil on canvas
Location: Wolverhampton Art Gallery, Wolverhampton.
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The central figure, the woman being led away, is dressed in somber clothing and her posture suggests resignation rather than defiance. Her head is bowed, and she appears to be shielding herself from the gaze of the crowd. The men accompanying her carry weapons – a staff and a musket – signifying their authority and the potential for violence inherent in the situation.
The setting itself contributes significantly to the narrative. Buildings with timber-framed construction line the street, suggesting an older, perhaps provincial town. A figure is visible at one of the windows, observing the proceedings from above; this individual’s posture conveys a sense of detached observation, possibly representing the societal structures that enable such events. The ground is strewn with debris and what appears to be discarded refuse, adding to the overall impression of disorder and social unrest.
A small boy stands near the group, his arm raised in a gesture that could be interpreted as either excitement or mockery. This detail introduces an element of youthful innocence juxtaposed against the gravity of the situation, perhaps highlighting the normalization of injustice within the community. The presence of what appears to be a pyre or burning pile of wood at the lower right corner subtly alludes to the potential consequences awaiting the accused woman – a stark reminder of the severity of the charges levied against her.
The artist’s use of light and shadow further enhances the dramatic effect. Strong sunlight illuminates the central figures, drawing attention to their plight while casting the surrounding crowd in relative darkness, emphasizing the power dynamic at play. The overall tone is one of solemnity and foreboding, prompting reflection on themes of justice, persecution, and societal responsibility.