Lodovico Mazzolino – Christ and the Samaritan Woman at the Well Kunsthistorisches Museum

The composition presents a narrative scene unfolding around a central well structure. A group of men, seemingly disciples or followers, are gathered on one side, observing an interaction between two figures: a man seated and a woman drawing water. The man is dressed in red and blue robes, his posture suggesting contemplation or perhaps authority. He gestures towards the woman with one hand while holding what appears to be a staff.
The woman, positioned opposite him, wears a pale orange garment and holds a bucket, her gaze directed downwards as if engaged in a task or lost in thought. The men surrounding them display varied expressions – some appear attentive, others seem curious, and one is depicted with an almost quizzical look. Their attire consists of simple tunics, emphasizing their humble status.
The well itself is elaborately decorated with sculpted reliefs depicting mythological figures, adding a layer of symbolic richness to the setting. The architectural details suggest a classical or Renaissance influence. Behind this immediate group, a landscape stretches into the distance, featuring a fortified town perched atop a rocky outcrop and a verdant valley receding towards a hazy horizon. A solitary tree stands prominently near the well, its foliage rendered with meticulous detail.
The arrangement of figures suggests a moment of encounter and potential revelation. The man’s gesture implies communication or instruction, while the womans posture hints at vulnerability or introspection. The presence of the onlookers underscores the public nature of this interaction, suggesting it holds significance beyond the immediate participants.
Subtleties in color contribute to the overall meaning. The red garment worn by the central figure draws attention and may symbolize passion or sacrifice. The pale orange of the woman’s dress could represent purity or innocence. The landscape backdrop, with its distant town and expansive view, might allude to a broader spiritual journey or the promise of redemption.
The paintings format – a narrow vertical composition framed by an arched top – creates a sense of enclosure while simultaneously directing the viewers gaze upwards towards the symbolic landscape beyond. This framing device reinforces the idea that the scene is part of a larger narrative, extending beyond the immediate physical setting.