Kunsthistorisches Museum – Nicolas Regnier (c. 1590-1667) -- Penitent Mary Magdalen
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The composition presents a solitary female figure within a confined, shadowy space. She is positioned centrally, her body angled slightly towards the viewer, creating a sense of immediacy and vulnerability. The womans posture conveys profound introspection; her head is bowed, eyes closed, suggesting deep sorrow or contemplation. Her left hand rests upon her chest, near her heart, while the right hand gently touches a skull placed on the ground beside her.
The artist has employed a dramatic chiaroscuro effect, with stark contrasts between light and shadow that heighten the emotional intensity of the scene. A single source of illumination appears to emanate from an unseen location above and to the left, highlighting the woman’s face and upper body while plunging the background into near darkness. This selective lighting draws attention to her physical state and emphasizes her isolation.
The figure is draped in a voluminous robe of vibrant red fabric that cascades around her, creating dynamic folds and adding visual richness. A lighter blue garment is partially visible beneath the red robe, revealing a portion of bare skin on her chest. The contrast between the rich fabrics and the woman’s exposed flesh contributes to the overall sense of tension and spiritual struggle.
Several symbolic objects are incorporated into the scene. A book lies open near the skull, likely representing scripture or knowledge, yet its proximity to mortality suggests a questioning of faith or intellectual pursuits in the face of death. The cross held within her hands is an obvious symbol of Christian redemption, but it appears almost tentative, as if she grapples with its meaning. The skull itself serves as a memento mori, a reminder of human transience and the inevitability of death.
The architectural setting – a rough-hewn stone wall and what seems to be an arched doorway – further reinforces the sense of confinement and spiritual isolation. A lantern hangs on the left side, its light barely penetrating the darkness, perhaps symbolizing a faint hope or guidance in a time of despair. The overall effect is one of profound melancholy and penitence, suggesting a narrative of regret, repentance, and a search for solace.