Leonardo da Vinci – Madonna with the Yarnwinder
с.1501, 50х36
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LEONARDO
The Duke of Milan feeds the swans.
A dark pond, with water like glass.
But Leonardo is one of those guests
Who cannot truly enjoy the festivities.
This ball, where allegories abound -
Is life itself fundamentally allegorical?
Everywhere, flashes of war are seen,
How much can reason withstand before it falters?
Leonardo created various instruments of war,
Seeking a city of knowledge, a depth of understanding,
Existing in a thousand ways at every moment.
Oh, how solitary he is in his pursuits -
Bound to the temple of pantheism,
His soul is quiet, and he is so elevated,
That almost all prisms are open to him.
A prism of prisms, a heavenly mineral,
Through it, the foundation of the world is clear.
Studying every material,
Leonardo reveals himself: Gods lyre.
All Madonnas – clarity, silence,
The sharp smile of the Mona Lisa
Is given as a digital secret.
The city. Buildings, shutters and cornices.
... grasses, bees, flies, spiders,
Minerals, stones and mollusks.
A sum of sums. The heights of knowledge.
Candles in the dining hall.
Wings for flight are grand.
The paths of a genius are exceedingly narrow,
The paths of the crowd – terribly wide.
A wonderful work...
My mother reminds me of Madonna!
You cannot comment Why?
In this painting, we see the Virgin Mary holding the Christ child on her lap. Mary is depicted with a serene and somewhat melancholic expression, her gaze directed downwards. The infant Jesus is looking upwards with a bright, curious expression, grasping a yarn winder in his right hand, which gives the painting its name.
The background is a detailed, atmospheric landscape with rugged mountains and a winding river, characteristic of Leonardo da Vincis style. Mary is dressed in a dark blue robe that drapes elegantly around her. The child is unclothed, emphasizing his innocence and divinity.
The subtexts in this painting revolve around themes of divine destiny and human suffering.