Autumn day. Sokolniki Isaac Ilyich Levitan (1860-1900)
Isaac Ilyich Levitan – Autumn day. Sokolniki
Edit attribution
Download full size: 1586×2048 px (0,6 Mb)
Painter: Isaac Ilyich Levitan
Location: Leeds Museums and Galleries (Leeds Museums and Galleries, Leeds City Council), Leeds.
When one looks at I. Levitan’s painting "Autumn Day. Sokolniki," one involuntarily thinks, "Did Levitan paint this painting?" Yes, here is the Levitan sky, high and deep. Huge white clouds are floating across the gray autumn sky. A damp haze hovers in the air. No rain, but it’s about to happen. Levitan pines, mighty, aspiring, standing high impregnable wall on both sides of the alley. The giant trees, blocking each other, protect the quiet autumn, hidden in the rare bright colors of leaves of the young maples standing at a distance from each other.
Description of Isaac Levitan’s painting "Autumn Day. Sokolniki."
When one looks at I. Levitan’s painting "Autumn Day. Sokolniki," one involuntarily thinks, "Did Levitan paint this painting?"
Yes, here is the Levitan sky, high and deep. Huge white clouds are floating across the gray autumn sky. A damp haze hovers in the air. No rain, but it’s about to happen.
Levitan pines, mighty, aspiring, standing high impregnable wall on both sides of the alley. The giant trees, blocking each other, protect the quiet autumn, hidden in the rare bright colors of leaves of the young maples standing at a distance from each other. Thin trees have not yet completely shed their yellow leaves. They are scattered in bright, even patches along the park path.
The sandy path, yellow as autumn itself, goes far away, beyond the pines, into the sky. The foliage, already fallen, is piled along its edges. It seems to frame the light path. It runs between the greenery of grass, on which the fallen yellow leaves also stand out.
The painting clearly shows a broad manner of writing. The artist clearly marks the trunks of trees, their crowns, foliage. With the help of blurred colors creates an airiness of the landscape, conveys the autumnal dampness and silence.
All over the canvas one can feel the loneliness and never-ending melancholy and sorrow. These feelings are emphasized by the dark figure of a woman walking lonely towards the viewer. It is this figure and confuses connoisseurs of landscape painter Isaak Levitan.
No, it was not the great master of nature paintings depicted a woman in black. It was done by N. Chekhov, the brother of the famous writer. Perhaps clearly feeling the loneliness of his painter friend, Nikolai Pavlovich decided to enhance the impression by including a human image in the landscape.
Despite such dissonance and "not Levitan’s" manner of depiction, "Autumn Day. Sokolniki" is the first painting of the famous artist, which was purchased by P.M.Tretyakov.
Кому понравилось
Пожалуйста, подождите
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
You need to login
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).



















COMMENTS: 1 Ответы
A LITTLE POEM ABOUT TITIAN
Sebastian, like a root, is bound by pain,
By white pain, Sebastian is confined.
He bids farewell to the valley with death,
If illuminated by such power.
... in Titians self-portrait
We see him in old age, and his eyes are deep:
Not at all tired, and so early in death.
One cannot deny that power.
What does deaths power mean to him, when canvases
Are full of colorful magic?
And the denarius of Caesar is willingly
Raised by us, bearers of guilt.
Here screams Titians crucifixion -
Darkness, condensed around
Diminished by radiance, but torn
Lines of light go, my friend.
Here is the carrying of the cross, and the mystery
Behind Christs face, the height.
The heavy color scheme is not accidental,
Because the mysticism of the cross
Is difficult to comprehend, if earthly
Love is closer to us – not that which is
Above the expanse – eternally golden -
In it dissolves and news.
No matter how much you listen to the flute of time,
Painting has joyful fruits,
And they are needed – they nourish souls,
Give comprehension of height.
Technique will then develop with excess,
Sounding like progress.
The golden threads will not be torn:
They connect us to the theme of heaven.
Color and light, as before,
Emphasize the features of reality.
People, pay tribute to hope,
And do not believe in the voice of emptiness.
A vacuum in the soul is much more terrible
Than a vacuum in spherical spaces.
But whatever ideas may bloom,
There is a chance for a person.
A chance to understand the upward movement and merge
With it, let the soul grow -
If it strives for the heavens,
Then it is inherently good.
Titian helps with growth,
Because he presents pictorial fields
With light power.
There is flight. And here – below is earth.
You cannot comment Why?