CODE MASTER ST. GEORGE – Virgin and Child Enthroned, Surrounded by Angels, St. John the Baptist, St. Peter and two unknown saints Louvre (Paris)

The composition presents a hierarchical arrangement centered around a Virgin and Child figure enthroned within a complex architectural framework. The scene unfolds beneath a pointed arch, reminiscent of Gothic cathedral design, which in turn is crowned by a larger triangular gable containing a depiction of Christ seated in benediction. This layered structure immediately establishes a sense of divine authority and spiritual elevation.
The Virgin Mary occupies the central position, her posture conveying both regality and maternal tenderness. She holds the infant Jesus, who gestures with his hand in a blessing. The artist has rendered their garments with meticulous detail, utilizing rich blues and reds that contrast against each other and contribute to the overall visual richness of the piece. A halo surrounds both figures, signifying their sanctity.
Flanking the Virgin and Child are several additional figures: St. John the Baptist, identifiable by his characteristic attire and hair, alongside St. Peter, distinguished by a key – a symbol of his role as keeper of the heavenly gates – and two unidentified saints. These individuals appear in smaller scale, arranged symmetrically on either side of the central group. Their expressions are solemn and reverent, suggesting their subordinate position within this divine hierarchy.
Above them, several angels hover, their wings delicately rendered and contributing to a sense of ethereal lightness. The artist has employed a limited palette – primarily blues, reds, golds, and creams – which contributes to the painting’s overall harmony and reinforces its devotional purpose. The gold leaf used for halos and architectural details creates an impression of opulence and divine radiance.
The compositions formality and symmetry suggest a deliberate attempt to convey order and stability, qualities often associated with religious iconography. The inclusion of multiple saints indicates a broader context of intercession and patronage, likely intended to connect the viewer with a network of spiritual support. The architectural setting, while stylized, evokes a sense of sacred space, further emphasizing the painting’s devotional function. The overall effect is one of solemnity, reverence, and an idealized representation of divine grace.