PUSSIN NICHOLAS – Self-portrait Louvre (Paris)

The composition presents a man positioned within what appears to be his studio or workspace. He is depicted in three-quarter profile, facing towards the viewers left, with a direct gaze that conveys a sense of quiet self-assurance. The lighting emphasizes his face and hand, leaving much of the background shrouded in shadow.
The artist’s attire consists of a dark, voluminous cloak draped over his shoulders, suggesting an air of formality or perhaps even scholarly gravitas. His hair is long, dark, and somewhat disheveled, contributing to a sense of naturalism rather than idealized beauty. A ring adorns the finger of his outstretched hand, which rests upon a wooden staff or pointer – a tool commonly used by artists for demonstration or instruction.
Behind him, partially obscured by the darkness, is another canvas displaying a figure in classical garb; this suggests an engagement with historical and mythological themes, central to artistic practice during the period. A framed inscription is visible near his shoulder, likely detailing his name and profession – a common device employed in self-portraits to establish identity and status.
The overall effect is one of deliberate construction. The artist seems intent on presenting himself not merely as an individual but as a representative of his craft – a learned practitioner engaged with both the tradition of classical art and the practicalities of artistic labor. The subdued palette, dominated by dark tones, reinforces this atmosphere of introspection and seriousness. The inclusion of the studio setting subtly alludes to the creative process itself, positioning the artist within the context of his work.