STEFANO FRANCESCO DI, NAMED PESELLINO – Madonna and Child surrounded by Saints Zenobia, John the Baptist, Anthony and Francis Louvre (Paris)

The composition presents a central figure of a woman seated on a throne, holding an infant in her lap. She is surrounded by several male figures, each distinguished by their attire and halos signifying sanctity. The background consists of a landscape receding into the distance, framed by architectural elements suggesting an enclosed space or courtyard.
The woman’s posture conveys serenity and maternal tenderness as she directs her gaze towards the child, who appears to be engaged in a gesture of offering or blessing. Her garments are richly detailed with folds that emphasize her regal status. The throne itself is relatively simple, drawing attention primarily to the figures it supports.
To the left of the central figure stands a man wearing ecclesiastical robes and a mitre, suggesting his role as a bishop or high-ranking cleric. Adjacent to him is a male figure depicted in a state of undress, possibly symbolizing humility or repentance. The remaining men flanking the throne are identifiable by their distinctive habits: one with a long, dark beard and coarse fabric, and another wearing a brown tunic with a knotted rope belt – typical attributes associated with mendicant orders.
The landscape backdrop is rendered in muted greens and blues, creating a sense of depth and tranquility. The architectural elements – the archway and the wall – provide a formal structure to the scene, grounding the figures within a defined space. An inscription at the base of the throne reads AVE·ERA·PLENA, adding a layer of devotional significance.
Subtly, the arrangement of the saints suggests a hierarchy of intercession. The bishop’s proximity to the central figure might indicate his role as an intermediary between the divine and the earthly realm. The depiction of John the Baptist, often associated with repentance and preparation for Christ, introduces themes of redemption and spiritual cleansing. The inclusion of figures representing different orders underscores the breadth of religious devotion within the community that would have viewed this work.
The overall effect is one of solemnity and reverence, intended to inspire contemplation and piety in the viewer. The artist’s use of light and color contributes to a sense of idealized beauty and spiritual grace.