DUPLESSY JOSEPH SIFFREN – Madame Lenoir, mother of Alexandre Lenoir, founder of the Museum of French Monuments Louvre (Paris)

The portrait presents a woman in a three-quarter view, her gaze directed towards the viewer with a measured composure. The background is dark and indistinct, drawing immediate attention to the subject and her attire. She appears to be of considerable social standing, evidenced by the elaborate nature of her clothing and hairstyle.
Her hair is styled in an elevated coiffure, typical for the period, adorned with ribbons and what seems to be a decorative element resembling a floral motif. A dark fabric cap frames her face, softening its contours while emphasizing the pale complexion characteristic of fashionable women during this era. The skin tone suggests a deliberate avoidance of outdoor exposure, indicative of status and leisure.
The dress itself is noteworthy. It’s rendered in a rich blue hue, accented with delicate white lace at the collar and sleeves. A single yellow flower is pinned to her bodice, providing a subtle contrast against the dominant blues and whites. The fabric appears to be silk or a similar luxurious material, contributing to an overall impression of wealth and refinement.
She holds a book in her hands, its cover intricately decorated with patterns that are difficult to discern precisely due to the lighting. This detail is significant; it suggests intellectual pursuits and a cultivated sensibility. Books were symbols of education and status, often prominently displayed in portraits of the elite. The way she cradles the volume implies a certain reverence for knowledge.
The woman’s expression is complex. While theres an element of serenity, a subtle tension can be detected around her eyes and mouth. This might suggest a quiet strength or perhaps a hint of melancholy – a common sentiment explored in portraiture of the time. The overall effect is one of dignified restraint, conveying a sense of inner composure despite any underlying emotions.
The painting’s composition adheres to conventions of formal portraiture; the subject is centrally positioned and illuminated, emphasizing her importance. The artists skill lies in capturing not only physical likeness but also an essence of character – a woman who embodies both elegance and quiet intelligence within a specific social context.