Louvre – DURER ALBRECHT - Self-portrait with holly
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The artist depicted him wearing a layered garment – a dark outer robe lined with what appears to be a lighter fabric, possibly linen or silk. The folds of the clothing are carefully modeled, contributing to the overall sense of realism and volume. In his hands, he holds a sprig of holly, its prickly leaves sharply defined against his skin. This detail is significant; holly, traditionally associated with Christs crown of thorns, introduces a layer of symbolic complexity.
The lighting in this painting is dramatic, highlighting the subject’s face and hands while leaving much of the background in shadow. The light source appears to be coming from above and slightly to the left, casting subtle shadows that enhance the three-dimensionality of his features. A small inscription near the upper right corner indicates a date – 1503 – alongside what seems to be a signature.
Beyond the straightforward depiction of a man holding holly, several subtexts emerge. The direct gaze establishes an immediate connection with the viewer, inviting contemplation and perhaps even empathy. The somber expression suggests a depth of thought or feeling that transcends mere self-representation. The inclusion of the holly sprig introduces religious connotations, potentially alluding to themes of suffering, sacrifice, or spiritual resilience. It could also be interpreted as a symbol of hope amidst adversity, given the plants association with winter and its evergreen nature. The overall effect is one of profound seriousness and self-awareness, suggesting an individual deeply engaged with both his craft and his place in the world.