Mauritshuis – Peter Paul Rubens - ’Modello’ for the Assumption of the Virgin
c.1622-1625, 87.8×59.1 cm.
Peter Paul Rubens (1577-1640)
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Below, a crowd of onlookers is arranged in tiers, their expressions ranging from awe and reverence to desperate longing. Their gestures – raised arms, outstretched hands – emphasize their desire for connection with the ascending figure. The artist has rendered them with considerable variation in age and attire, suggesting a diverse community witnessing this extraordinary event. A prominent individual, clad in elaborate golden robes, kneels at the base of a stepped platform, his posture conveying profound devotion. To his right stands another figure, older and bearded, who appears to be observing the scene with a more contemplative demeanor.
The use of light is particularly striking. It emanates not only from the heavens but also seems to radiate from the ascending figure herself, illuminating the faces of those below and creating a dramatic contrast between shadow and brilliance. The color palette is rich and warm, dominated by golds, reds, blues, and whites, contributing to the overall sense of grandeur and spiritual significance.
Subtleties within the composition hint at layers of meaning beyond the immediate depiction. The architectural setting, though partially obscured, suggests a transition between earthly and divine realms. The varied expressions of the onlookers imply different levels of faith and understanding. The kneeling figure’s opulent attire might symbolize temporal power acknowledging spiritual authority. Ultimately, the painting conveys a powerful narrative about ascension, devotion, and the yearning for transcendence, employing dramatic visual elements to evoke an emotional response in the viewer.