Metropolitan Museum: part 1 – Edwaert Collier - Vanitas Still Life
Edwaert Collier: Dutch, Breda ca. 1640?–after 1707 London or Leiden 1662; Oil on wood; 37 x 44 1/8 in. (94 x 112.1 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The composition presents a meticulously arranged still life set against a backdrop of heavy, draped fabric. A dark table serves as the primary surface for the display of various objects, each carefully positioned to contribute to the overall thematic statement. The arrangement is dominated by items associated with learning, wealth, and mortality – a common configuration in works exploring the concept of vanitas.
A terrestrial globe occupies a prominent position, suggesting worldly knowledge and exploration. Its presence is juxtaposed with an open book, its pages filled with text and intricate engravings, further emphasizing intellectual pursuits. The inclusion of musical instruments – a violin and what appears to be a lute – hints at artistic appreciation and the fleeting nature of beauty and talent. A brass horn rests near the edge of the table, potentially symbolizing celebration or fanfare, now rendered silent by times passage.
Several objects directly reference mortality. A skull is placed towards the right side of the composition, an unambiguous symbol of death and decay. A rosary lies on the table, suggesting piety and a contemplation of spiritual matters in the face of inevitable demise. The inclusion of a small portrait, encased within an ornate frame, introduces a personal element – a memento mori reminding the viewer of individual mortality within a larger historical context.
The arrangement is replete with objects indicative of affluence: a silver candlestick, a decorative goblet, and what appears to be a collection of scientific instruments. These items underscore the transience of material possessions and their ultimate inability to provide lasting comfort or security. The feather quill resting on the table suggests writing and record-keeping, but also hints at the fragility of human endeavors.
The lighting is dramatic, with strong contrasts between light and shadow that heighten the sense of solemnity and introspection. The dark background intensifies the focus on the objects themselves, drawing attention to their symbolic weight. Overall, the painting conveys a profound meditation on the ephemeral nature of life, knowledge, beauty, and worldly possessions – a visual reminder of the inevitability of death and the importance of spiritual reflection.