Metropolitan Museum: part 1 – Willem Kalf - Still Life with Fruit, Glassware, and a Wanli Bowl
Willem Kalf: Dutch, Rotterdam 1619–1693 Amsterdam 1659; Oil on canvas; 23 x 20 in. (58.4 x 50.8 cm)
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Several pieces of glassware are positioned near the bowl. A stemmed goblet, partially filled with a dark liquid, stands upright, while another glass, taller and more slender, leans slightly against it. These vessels reflect light in a way that highlights their transparency and form, adding to the overall sense of opulence. To the right of the bowl sits a small, rectangular wooden block, acting as a secondary support for the arrangement.
The artist has employed a dramatic chiaroscuro effect – a stark contrast between light and shadow – which draws attention to the illuminated objects while obscuring much of the background. This technique intensifies the sense of three-dimensionality and creates an atmosphere of quiet contemplation. The limited palette, dominated by warm tones of yellow, orange, and brown against the cool blue of the bowl, contributes to a feeling of restrained luxury.
Beyond the purely descriptive elements, the painting seems to engage with themes of abundance and transience. The fruit, symbols of prosperity and pleasure, are depicted in their prime, yet one can sense an underlying awareness of their inevitable decay. The careful arrangement and expensive tableware suggest a display of wealth and refinement, but the darkness surrounding them hints at the fleeting nature of material possessions. The inclusion of the Wanli bowl – a piece of imported porcelain – implies global trade and cultural exchange, adding another layer to the painting’s subtextual richness. Ultimately, the work invites reflection on the relationship between beauty, value, and mortality.