Metropolitan Museum: part 1 – Gabriël Metsu - The Visit to the Nursery
Gabriël Metsu: Dutch, Leiden 1629–1667 Amsterdam 1661; Oil on canvas; 30 1/2 x 32 in. (77.5 x 81.3 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The central focus lies on a seated couple within the room. The woman cradles a baby in her arms, while the man stands beside her, his hand resting gently on her shoulder. Their expressions are restrained, conveying a sense of propriety and familial connection. A wicker basket sits near the man’s feet, possibly containing toys or other items for the child.
The room itself is meticulously rendered, with attention paid to details such as the checkered floor tiles, the ornate fireplace mantelpiece, and the richly draped canopy in the upper right corner. The presence of a large, empty frame above the fireplace draws the eye upward, hinting at an appreciation for art and culture within this household. A servant stands near the doorway, attending to her duties with a quiet efficiency.
Subtleties within the scene suggest layers of meaning beyond a simple depiction of familial interaction. The formal attire of the visitor contrasts with the more relaxed clothing of those within the room, potentially highlighting social distinctions or emphasizing the occasion of the visit. The man’s posture and gesture towards his wife and child could be interpreted as an assertion of paternal authority and responsibility.
The overall impression is one of controlled elegance and understated wealth. The artist has created a tableau that speaks to the values and aspirations of a particular social class during this period – a society concerned with propriety, family lineage, and the display of refined taste.