Metropolitan Museum: part 1 – Andrea Solario - Salome with the Head of Saint John the Baptist
Andrea Solario: Italian, Milan ca. 1465–1524 Milan Oil on wood; 22 1/2 x 18 1/2 in. (57.2 x 47 cm)
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In her hands, she cradles a silver platter upon which rests the severed head of a bearded man. The head is angled towards the viewer, its eyes closed in an expression of serene acceptance or perhaps resignation. A trickle of blood stains the beard and drips onto the platter, providing a visceral element to the image. The hand holding the head is rendered with considerable detail, emphasizing the act of presentation and control.
The lighting is dramatic, highlighting the woman’s face and the head while leaving much of the background in shadow. This directs attention to the central figures and intensifies the emotional weight of the moment. The color palette is restrained but rich, utilizing deep reds, blues, and golds that contribute to a sense of solemnity and grandeur.
Subtextually, the painting explores themes of guilt, consequence, and perhaps even pity. The woman’s downcast gaze and seemingly sorrowful expression suggest an internal conflict or regret regarding her actions. The detached serenity of the severed head introduces a layer of complexity; it is not presented as a gruesome trophy but rather as an object of contemplation. This could imply a commentary on faith, sacrifice, or the burden of responsibility. The opulent attire of the woman contrasts sharply with the brutality of the scene, potentially highlighting the moral corruption that can exist within positions of power and wealth. Ultimately, the work invites reflection on the nature of sin, redemption, and the human condition.