Metropolitan Museum: part 1 – Gaspare Traversi - Saint Margaret of Cortona
Gaspare Traversi: Italian, Neapolitan, ca. 1722–1770 ca. 1758; Oil on canvas; 67 3/4 x 48 1/4 in. (172.1 x 122.6 cm)
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To her left stands a youthful male figure, seemingly an angel, identifiable by his feathered wings and classical attire – a blue tunic secured at the chest with a metallic clasp. He extends his hand towards the woman in offering, a gesture that implies solace or divine intervention. A small child, dressed in simple garments, clings to the woman’s leg, adding a layer of domesticity and vulnerability to the narrative.
On the right side of the scene, a muscular figure with equine features is visible. He holds aloft a miniature depiction of a crucifixion, further enriching the symbolic content. The presence of this creature introduces an element of potential threat or temptation, contrasting sharply with the angel’s benevolent offering. A dog lies at the base of the composition, its posture suggesting alertness and loyalty.
The lighting in the painting is dramatic, highlighting certain figures while casting others into shadow. This selective illumination draws attention to the central interaction between the woman and the angel, emphasizing their significance within the narrative. The color palette is restrained, dominated by earthy tones punctuated by the vibrant blue of the angel’s tunic.
Subtextually, the work seems to explore themes of redemption, temptation, and divine grace. The juxtaposition of the angelic figure with the equine-like creature suggests a struggle between good and evil, while the presence of the child underscores the importance of innocence and familial bonds. The womans expression hints at an internal conflict – a moment of decision or spiritual reckoning. The miniature depiction of Christ’s crucifixion serves as a constant reminder of sacrifice and faith. Overall, the painting conveys a sense of quiet drama and profound spiritual significance.