Metropolitan Museum: part 1 – Henri Fantin-Latour - Asters and Fruit on a Table
Henri Fantin-Latour: French, Grenoble 1836–1904 Buré 1868; Oil on canvas; 22 3/8 x 21 5/8 in. (56.8 x 54.9 cm)
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Beneath the vase, on a polished wooden surface, rests a collection of fruit and grapes. A shallow white dish holds a generous bunch of pale green grapes, while loose clusters of darker purple grapes spill onto the tabletop alongside several pieces of fruit: pears, apples – one red, one green – and other unidentified forms. The arrangement is not haphazard; theres an intentional balance between the verticality of the floral display and the horizontal spread of the produce.
The background is a muted grey-brown, devoid of any discernible spatial depth or architectural elements. This neutral backdrop serves to emphasize the objects in the foreground, preventing distraction and allowing the viewer’s focus to remain on the textures and colors of the flowers and fruit. The lighting appears diffused and even, eliminating harsh shadows and contributing to an overall sense of tranquility.
The painting evokes a feeling of quiet domesticity and abundance. It is not merely a depiction of objects; it suggests a moment of contemplation, a pause in time dedicated to appreciating simple pleasures. The careful arrangement implies a deliberate act of creation, hinting at the artist’s desire to find beauty in everyday items. Theres an underlying sense of melancholy present too – the fleeting nature of beauty and the passage of time are subtly suggested by the ripeness of the fruit and the delicate fragility of the flowers. The dark vase acts as a grounding element, anchoring the composition while also introducing a note of somberness that contrasts with the vibrancy of the blooms.