Metropolitan Museum: part 1 – John Trumbull - The Sortie Made by the Garrison of Gibraltar
John Trumbull: American, Lebanon, Connecticut 1756–1843 New York City 1789; Oil on canvas; 71 x 107 in. (180.3 x 271.8 cm)
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The left side of the painting is characterized by a chaotic mass of figures engaged in close-quarters fighting. These individuals appear less formally attired than those in the foreground, suggesting they may be soldiers or perhaps even civilians participating in the defense. The artist has rendered them with a looser brushstroke, contributing to the sense of immediate and uncontrolled action.
The background is shrouded in shadow and smoke, punctuated by flashes of light that suggest explosions or gunfire. A large structure looms on the right side, possibly fortifications under siege. The sky above is painted with fiery hues – oranges and reds – which amplify the intensity of the scene and evoke a sense of danger and urgency.
The lighting scheme directs attention to the central figures while obscuring details in the background, creating depth and emphasizing the narrative focus on leadership and decision-making during conflict. The artist’s choice of color is significant; the bright red uniforms stand out against the darker tones, symbolizing courage and perhaps a sense of imperial power.
Subtly, theres an exploration of heroism and sacrifice. While the central figures appear to be in control, the fallen soldier serves as a stark reminder of the human cost of war. The composition’s arrangement – with the active combatants on one side and the prone figure on the other – creates a visual dichotomy between action and consequence. It suggests that even amidst strategic maneuvers and displays of authority, individual lives are irrevocably impacted by the unfolding events.