Metropolitan Museum: part 1 – Elihu Vedder - The Fable of the Miller, His Son, and the Donkey
Elihu Vedder: American, New York City 1836–1923 Rome ca. 1867–68; Oil on canvas; 6 1/2 x 10 3/4 in. (16.5 x 27.3 cm)
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The boy follows closely behind, his posture conveying a sense of dejection. He carries what seems to be a piece of cloth draped over his arm, its significance unclear but potentially symbolic of loss or burden. The child’s bare feet emphasize vulnerability and a connection to the earth. His gaze is directed downwards, reinforcing an impression of sadness or disappointment.
The landscape itself contributes significantly to the overall mood. Rolling hills rise on either side of the path, rendered in muted browns and ochres that evoke a sense of dryness and aridity. A scattering of trees punctuates the horizon line, their foliage painted with loose brushstrokes that suggest distance and atmospheric perspective. The sky above is pale blue, washed out by an unseen light source – possibly the sun, though it remains obscured.
The artist’s use of color reinforces this subdued atmosphere. The palette is dominated by earthy tones – browns, greens, yellows – with only subtle variations in hue. This limited range contributes to a feeling of melancholy and restraint. Brushwork appears loose and expressive, particularly evident in the depiction of foliage and distant hills, lending a sense of immediacy and spontaneity to the scene.
Subtly, the painting seems to explore themes of generational responsibility, hardship, and perhaps disillusionment. The man’s stoic demeanor contrasts with the boys apparent distress, suggesting a disparity in their experiences or perspectives. The landscape itself acts as a silent witness to this unfolding narrative, its barrenness mirroring the emotional state of the figures within it. There is an underlying sense of quiet resignation, hinting at a cycle of labor and disappointment that defines their existence.