Attributed to Hada Master – Rao Bhoj Singh Stalking a Tiger at Night Metropolitan Museum: part 2

The composition presents a nocturnal hunting scene unfolding within a dense thicket of trees. A man, presumably a nobleman given his attire and posture, is positioned in a palanquin suspended amongst the branches. He holds a weapon, poised as if readying for action against a large tiger leaping upwards towards him. The animal’s musculature is rendered with considerable detail, emphasizing its power and aggression.
Below the palanquin, another figure appears to be reacting to the unfolding drama; their expression conveys shock or alarm. A small dog lies on the ground in the foreground, seemingly injured, adding a layer of pathos to the scene. The overall color palette is dominated by deep greens and browns, evoking a sense of darkness and mystery appropriate for a nighttime setting. Subtle touches of red are used strategically – within the palanquin’s cushions, on the tigers stripes, and in the dog’s wound – drawing attention to moments of potential danger or vulnerability.
The arrangement of elements suggests a narrative beyond a simple depiction of a hunt. The precariousness of the palanquin, suspended high amongst the trees, implies a degree of risk and vulnerability despite the man’s elevated position. The tigers sudden attack disrupts the expected order of power – the nobleman in his privileged space is confronted by a force from below. This could be interpreted as a symbolic representation of challenges to authority or unexpected disruptions to established hierarchies.
The inclusion of the injured dog introduces an element of tragedy and loss, perhaps hinting at the broader consequences of such pursuits. The scene’s dramatic lighting and dynamic composition contribute to a heightened sense of tension and suspense, inviting contemplation on themes of power, danger, and the fragility of life within a natural world.