Metropolitan Museum: part 2 – Hendrick ter Brugghen - The Crucifixion with the Virgin and Saint John
Hendrick ter Brugghen: Dutch, The Hague? 1588–1629 Utrecht ca. 1624–25; Oil on canvas; 61 x 40 1/4 in. (154.9 x 102.2 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The composition centers around a figure suspended on a wooden cross, dominating the vertical format. The stark contrast between light and shadow immediately draws attention to his emaciated body, marked by visible wounds and a pallid complexion indicative of suffering. Strands of dark hair frame a face etched with pain, while droplets of blood are captured mid-fall, emphasizing the brutality of the scene. A banner bearing an inscription hangs above him, its meaning obscured but contributing to the solemnity of the moment.
Below the cross, two figures stand in poses of profound grief and anguish. One, draped in a pale head covering and muted garments, clasps her hands together in a gesture of despair. Her posture conveys a sense of quiet sorrow and resignation. The other figure, clad in vibrant red robes, raises his arms towards the crucified man, his expression conveying intense emotional distress – a mixture of pain, shock, and perhaps even accusation.
The ground beneath the cross is littered with debris: broken branches, withered foliage, and most notably, a human skull. This inclusion introduces a powerful memento mori, reminding the viewer of mortality and the transience of life. The darkness that surrounds the figures intensifies the emotional weight of the scene, isolating them within their grief and amplifying the dramatic impact of the central figure’s sacrifice.
The artists use of chiaroscuro is particularly striking; it sculpts the forms with light, creating a palpable sense of volume and realism while simultaneously directing the viewers gaze to key elements – the wounds on the body, the faces of the mourners, and the symbolic skull at the base of the cross. The limited palette, dominated by earth tones and punctuated by the red of the figure’s robe, reinforces the somber mood and contributes to a feeling of austerity and solemnity.
Beyond the immediate depiction of suffering, the painting suggests themes of faith, sacrifice, and loss. The presence of the two figures implies witness and shared grief, hinting at the broader implications of this event for humanity. The skull serves as a constant reminder of deaths inevitability, prompting reflection on the meaning of life and the consequences of human actions.