Honoré Daumier – The Laundress Metropolitan Museum: part 2
Metropolitan Museum: part 2 – Honoré Daumier - The Laundress
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The hard work that takes the strength and health of young women was described by Honoré Daumier in his creations. Living on the island, he constantly had to observe this daily women’s work. Severely experiencing the hardships of the poor people, Daumier could not be indifferent, an outside viewer, however, there was nothing to help. These experiences have led to a series of paintings, where the heroines with dignity and nobility carry their heavy cross. "The Laundress" was painted in 1861, and the painter was able to so brightly and monumentally convey the female image that society compared this picture with sculptures by Michelangelo. In the painting, a young yet not old woman is climbing a high staircase with her young son.
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Description of the painting "The Laundress" by Honoré Daumier
The hard work that takes the strength and health of young women was described by Honoré Daumier in his creations. Living on the island, he constantly had to observe this daily women’s work.
Severely experiencing the hardships of the poor people, Daumier could not be indifferent, an outside viewer, however, there was nothing to help. These experiences have led to a series of paintings, where the heroines with dignity and nobility carry their heavy cross.
"The Laundress" was painted in 1861, and the painter was able to so brightly and monumentally convey the female image that society compared this picture with sculptures by Michelangelo.
In the painting, a young yet not old woman is climbing a high staircase with her young son. The bale of wet laundry rolls ever lower from the gravity, her large, strong hands are reddened by the cold water, but that is not what the woman cares about now. You can see that the boy is struggling to climb the steps, and his mother supports him with a word.
Patience, calmness and care - this colors the entire image of the woman. No grueling work, no poverty and savage fatigue does not drown out these maternal qualities in a real woman. The most unbearable conditions, as if, recede into the background, the main value of life - this baby, his little joys or sorrows. Yes, and the baby itself, it can be seen that tired.
The theme of mothers always worried the artist, he was perplexed by the strength of feeling of poor women - to the exhaustion of working in harsh conditions, women were able to remain gentle, anxious and affectionate mothers retained such qualities as dignity, nobility, real beauty.
The background of the painting is highlighted by light tones, which makes the figure of the washerwoman look even more powerful, strong and majestic. It is the majesty of the simple woman that Daumier wanted to emphasize, and he succeeded.
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The picture has something of this: people, two, man, child, wear, side view, indoors, group, baby, son, woman, kneeling, Renaissance, mammal, pain.
Perhaps it’s a painting of a man and a child on a dock next to a body of water with a cityscape in the background.