Metropolitan Museum: part 2 – Edgar Degas - Dancer with a Fan
Edgar Degas: French, Paris 1834–1917 Paris ca. 1890–95; Pastel and charcoal on buff-colored wove tracing paper; 21 7/8 x 19 1/4 in. (55.6 x 48.9 cm)
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The artist employed a limited palette dominated by muted greens, blues, and creams. These colors contribute to an atmosphere that is both hazy and intimate, evoking the dim lighting often found in theatrical spaces. The application of pastel appears rapid and spontaneous; lines are loose and sketchy, conveying a sense of immediacy and capturing movement rather than precise detail. This technique lends the figure a certain fragility and vulnerability.
The background is rendered with broad strokes of color, creating an impressionistic backdrop that does not define a specific location but instead suggests a stage or performance area. A vertical element, likely part of the set design, rises from behind the dancer, further emphasizing her isolation within this constructed environment. The floor appears as a flat plane, delineated by darker tones and contributing to the overall sense of depth.
Subtleties in the figure’s depiction hint at underlying themes. Her gaze is averted, directed downwards, which might suggest introspection or a degree of self-consciousness. The fan she holds serves not only as an accessory but also as a shield, potentially indicating a desire for privacy or protection from observation. The loose rendering of her hair and the lack of detailed facial features contribute to a sense of anonymity; she is presented less as an individual and more as a representation of the ballerina archetype – a figure both admired and objectified within the world of performance.
The drawing’s overall effect is one of quiet contemplation, inviting the viewer to consider not only the dancers physical presence but also the psychological complexities inherent in her role.