Metropolitan Museum: part 2 – Giotto di Bondone - The Epiphany
Giotto di Bondone: Italian, Florentine, 1266/76–1337 possibly ca. 1320; Tempera on wood, gold ground; 17 3/4 x 17 1/4 in. (45.1 x 43.8 cm)
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Three men, distinguished by their elaborate attire – one in red, another in gold, and a third in pink – offer gifts to the child. The man in red is actively presenting an object, while the others appear engaged in acts of reverence or observation. Their crowns signify royalty and acknowledge the divine nature of the infant. A fourth figure, dressed in brown robes, stands slightly apart, playing a musical instrument; his position suggests he is providing accompaniment for this solemn occasion.
Above the shelter, three winged figures are positioned against a muted background. They appear to be raising their hands in gestures of praise or benediction, reinforcing the sacred nature of the event below. A prominent star shines directly above the shelter, acting as a visual focal point and symbolizing divine guidance.
The artist’s use of spatial organization is notable for its relative lack of depth; figures are arranged on a single plane, creating a flattened perspective that emphasizes their symbolic roles over realistic representation. The color palette is dominated by rich blues, yellows, reds, and browns, contributing to the overall sense of solemnity and grandeur.
Subtly, the arrangement suggests a hierarchical structure: the woman’s position of repose, the mans gesture of presentation, and the kneeling posture of those offering gifts all contribute to an emphasis on the infant as the central object of veneration. The inclusion of the musician introduces a note of celebration, softening the otherwise serious tone. The overall effect is one of reverence and awe, portraying a pivotal moment in religious narrative with deliberate simplicity and symbolic weight.