Metropolitan Museum: part 2 – Vincent van Gogh - Roses
Vincent van Gogh: Dutch, Zundert 1853–1890 Auvers-sur-Oise 1890; Oil on canvas; 36 5/8 x 29 1/8 in. (93 x 74 cm)
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Here we see an emphasis on texture; the artist employed thick impasto strokes to render both the flowers and the vase. The brushwork is visible and assertive, contributing significantly to the overall visual impact. The petals appear almost sculpted in their relief, while the leaves are rendered with a looser, more gestural application of paint.
The background is a uniform expanse of pale green, applied with similar textured strokes as the foreground elements. This creates a sense of unity but also serves to highlight the luminosity of the flowers against its muted backdrop. A simple ledge or table runs horizontally across the lower portion of the painting, providing a grounding element and establishing a shallow pictorial space.
Beyond the straightforward depiction of floral still life, the work evokes a feeling of fragility and transience. The abundance of blooms suggests vitality, yet their delicate appearance hints at an inevitable decline. The intense white against the green backdrop could be interpreted as symbolizing purity or innocence juxtaposed with natures enduring presence. The vigorous brushstrokes, while visually compelling, also convey a sense of emotional intensity – a palpable energy that transcends mere representation and points towards a deeper psychological state. The arrangement feels less like a casual grouping and more like an intentional construction, suggesting a deliberate attempt to capture not just the appearance but also the essence of these flowers.