Metropolitan Museum: part 2 (Iráklion) – El Greco (Greek, Candia 1540/41–1614 Toledo) - The Adoration of the Shepherds
El Greco (Greek, Candia [Iráklion] 1540/41–1614 Toledo): Domenikos Theotokopoulos Oil on canvas; 43 1/2 x 25 5/8 in. (110.5 x 65.1 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Below this group, several animals – sheep and goats – are scattered across a rocky terrain, adding to the sense of rustic simplicity and humble setting. The figures are not arranged in a neat or orderly fashion; instead, they appear to be caught in a moment of spontaneous interaction, contributing to an overall feeling of emotional intensity.
Above this earthly scene, a swirling vortex of dark clouds serves as a backdrop for a celestial gathering. A multitude of small, winged figures – presumably angels – descend from the heavens, their forms rendered with a delicate and ethereal quality. Their garments are vibrant green and red, contrasting sharply with the somber tones of the lower portion of the painting. The light source is ambiguous; it seems to emanate both from the infant’s presence and from the celestial realm above, creating an interplay of illumination and shadow that heightens the dramatic effect.
The artists use of elongated figures and dynamic poses contributes to a sense of spiritual elevation and otherworldly grandeur. The color palette is dominated by deep reds, blues, and yellows, with occasional touches of green and white. These colors are applied in broad strokes, creating a textured surface that enhances the emotional impact of the scene.
Subtly, theres an exploration of hierarchy and social standing. While the shepherds and animals represent humility and simplicity, the woman’s opulent attire suggests her elevated status. The angels above reinforce this sense of divine authority and transcendence. The composition seems to suggest a moment where the earthly and the celestial realms converge, highlighting the sacredness of the event depicted.