Metropolitan Museum: part 2 – Hans Suess von Kulmbach - The Ascension of Christ
Hans Suess von Kulmbach: German, Kulmbach ca. 1480–1521/22 Nuremberg Oil on wood; Overall 24 1/4 x 15 in. (61.5 x 38.1 cm); painted surface 24 1/4 x 14 1/8 in. (61.5 x 35.9 cm)
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Here we see a tightly packed assembly of men, rendered with individualized features despite their collective posture. Their expressions range from awe and wonder to what appears as grief or bewilderment. Each figure is draped in flowing robes of varying hues – pinks, yellows, greens, and whites – which contribute to the dynamism of the scene and delineate individual forms within the group. The artist has employed a strong chiaroscuro effect; light falls upon their faces and garments, highlighting their emotional responses while casting portions of them into shadow. This contrast intensifies the drama of the moment.
The ground beneath the figures is sparsely rendered with patches of grass, providing a minimal sense of setting. The upward thrust of the composition is emphasized by the diagonal lines created by the robes and the outstretched arms of the onlookers.
Subtleties in the depiction suggest layers of meaning beyond the literal event. The varied expressions on the faces of the witnesses imply a spectrum of faith and understanding. Some appear to be fully accepting, while others seem to struggle with the implications of this celestial departure. This range of responses could be interpreted as representing the diverse experiences of belief within a community.
The figure ascending is presented in a manner that emphasizes his divine nature; the red robes suggest royalty or sacrifice, and his position above the clouds reinforces his transcendence. The artist’s choice to partially obscure him with cloud cover introduces an element of mystery, hinting at the unknowable aspects of the divine realm.
Overall, the painting conveys a sense of both loss and hope, capturing the complex emotions associated with witnessing a momentous event that transcends human comprehension.