Metropolitan Museum: part 2 – Gustave Moreau - Oedipus and the Sphinx
Gustave Moreau: French, Paris 1826–1898 Paris 1864; Oil on canvas; 81 1/4 x 41 1/4 in. (206.4 x 104.8 cm)
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Above him, suspended in mid-air, hovers a creature possessing the body of a lion and the head of a woman adorned with wings. This hybrid being leans towards the male figure, their faces close in what could be interpreted as an interrogation or a moment of revelation. The lighting emphasizes the contours of both figures, highlighting the muscularity of the man and the delicate features of the winged creature.
The landscape itself is rendered with meticulous detail; lush vegetation clings to the rock face, contrasting sharply with the barren peaks rising in the distance. A pervasive sense of mystery permeates the scene, amplified by the limited depth of field and the dramatic chiaroscuro. The color palette is rich and saturated, dominated by earthy tones punctuated by flashes of gold and crimson.
Subtextually, the work seems to explore themes of knowledge, challenge, and fate. The Sphinx, traditionally a figure of riddles and trials, appears not as an antagonist but as a source of potential insight for the man below. His stance – partly defiant, partly receptive – suggests a complex internal struggle. The severed foot at his feet could symbolize a past transgression or a loss that fuels his present quest. The staff he carries might represent a lineage, a responsibility, or even a form of imprisonment.
The overall effect is one of intense psychological drama, inviting contemplation on the nature of wisdom and the burdens it imposes. The artist’s deliberate arrangement of figures and objects creates an atmosphere of profound significance, leaving room for multiple interpretations regarding the relationship between these characters and their shared destiny.