Metropolitan Museum: part 2 – Bartolomé Esteban Murillo - The Crucifixion
Bartolomé Esteban Murillo: Spanish, Seville 1617–1682 Seville Oil on canvas; 20 x 13 in. (50.8 x 33 cm)
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The figure’s posture conveys both physical agony and a degree of resignation. The head is bowed, though not entirely defeated; theres an element of stoicism in the set of the jaw. Light falls dramatically upon the body, highlighting the contours and emphasizing the vulnerability of the exposed skin against the dark backdrop.
The background is rendered with less precision, appearing as a hazy landscape receding into distance. A suggestion of buildings and foliage can be discerned at the base of the composition, hinting at an urban setting beyond the immediate scene of suffering. The sky above is turbulent, filled with swirling clouds that contribute to the overall atmosphere of drama and emotional intensity.
The palette is largely muted, dominated by browns, grays, and blacks. This restricted range reinforces the somber mood and directs attention toward the central figure. Subtle touches of pink and ochre are used to model the flesh tones and suggest a faint glimmer of hope or divine grace amidst the darkness.
Subtly, the artist seems to be exploring themes of sacrifice, suffering, and redemption. The depiction avoids overt displays of brutality, instead focusing on the physical toll taken by the ordeal. The landscape in the background suggests a connection between the individual’s pain and the broader world, implying that this event has implications beyond the immediate moment. The overall effect is one of profound pathos, inviting contemplation on themes of faith, mortality, and human endurance.