Metropolitan Museum: part 2 – Attributed to the Master of the Female Half-Lengths and a collaborator - The Rest on the Flight into Egypt
Attributed to the Master of the Female Half-Lengths and a collaborator: Netherlandish, active first half 16th century ca. 1525; Oil on wood; 23 3/8 x 28 in. (59.4 x 71.1 cm)
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To the left of the woman, a fountain stands partially obscured by foliage, its presence hinting at a cultivated, possibly aristocratic setting. Scattered across the lower portion of the canvas are several white cloths, seemingly dropped or discarded, adding a touch of domesticity and perhaps suggesting a moment of respite.
The background is dominated by an expansive vista. A winding waterway leads the eye towards a distant castle perched atop a rocky promontory. The architecture suggests a blend of defensive strength and refined elegance. A small village nestles at the foot of the hill, its buildings rendered with considerable detail. Figures can be discerned within this settlement, engaged in what appear to be everyday activities.
The landscape itself is characterized by dense vegetation – trees, shrubs, and grasses – creating a sense of depth and enclosure. The use of aerial perspective diminishes the clarity of distant elements, reinforcing the impression of vastness. A subtle atmospheric haze softens the contours of the background, contributing to an overall feeling of tranquility.
Subtly embedded within this idyllic scene are potential layers of meaning. The presence of the castle could symbolize refuge or protection, while the village might represent a sense of community and belonging. The discarded cloths introduce a note of vulnerability and impermanence, contrasting with the stability suggested by the architecture. The woman’s posture and expression convey a quiet dignity and maternal devotion, suggesting themes of nurturing and sanctuary. The overall effect is one of peacefulness tinged with an underlying awareness of potential hardship or displacement.