Perugino (Italian, Città della Pieve, active by 1469–died 1523 Fontignano) – Saint John the Baptist; Saint Lucy Metropolitan Museum: part 2

The composition presents a solitary male figure set against a shallow architectural backdrop. He stands in a three-quarter pose, his body turned slightly towards the viewer while his gaze is directed forward. The figures skin tone is pale, contrasting with the warm hues of his drapery and the darker tones surrounding him.
He is clad in a loosely draped garment that reveals portions of his torso. A green cord encircles his waist, adding a subtle detail to the otherwise simple attire. In his left hand, he holds what appears to be a small object pressed against his chest; its precise nature remains ambiguous but it could signify an emblem or a personal possession. His right hand rests on a long, slender staff that extends vertically, anchoring the composition and drawing the eye upward. The figure is barefoot, emphasizing a sense of humility and connection to the earth.
The architectural setting consists of columns with Corinthian capitals, suggesting a classical or Renaissance-inspired interior space. A vaulted ceiling is visible above, rendered in muted tones. The background is largely dark, which serves to isolate the figure and intensify his presence.
A notable characteristic is the figure’s expression: it conveys a sense of melancholy or introspection rather than overt piety or joy. His eyes are downcast, and his mouth is slightly downturned, contributing to this mood. This emotional register suggests a contemplative state, perhaps hinting at suffering or sacrifice. The overall effect is one of quiet dignity and restrained emotion, characteristic of devotional art intended for private contemplation.
The use of light is carefully controlled; it illuminates the figure’s face and upper body while leaving much of his form in shadow. This chiaroscuro technique enhances the sense of depth and creates a dramatic visual impact. The color palette is dominated by earth tones – browns, reds, and greens – which contribute to the paintings somber atmosphere.