Metropolitan Museum: part 2 – Giovanni Battista Tiepolo - The Capture of Carthage
Giovanni Battista Tiepolo: Italian, Venice 1696–1770 Madrid 1725–29; Oil on canvas; Irregular painted surface, 162 x 148 3/8 in. (411.5 x 376.9 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
In the foreground, chaos reigns. Fallen figures litter the space – some prone, others seemingly in the midst of collapse – indicating a brutal struggle. A man lies face down near the bottom edge, his blue garment contrasting sharply with the earthy tones surrounding him, drawing immediate attention to his defeat. The bodies are not presented as individual portraits but rather as casualties within a larger narrative of destruction.
A group of figures on horseback commands the right side of the painting. One rider, prominently positioned and adorned in rich red and gold attire, carries a standard topped with an eagle – a clear symbol of imperial power and victory. The horse itself is rendered with dynamic energy, its white coat adding to the sense of movement and dominance. Other soldiers are visible behind him, engaged in what appears to be a pursuit or consolidation of control.
To the left, a soldier holds aloft a weapon, possibly a standard or banner, further emphasizing the triumph of the conquering force. The figure’s posture suggests both exertion and authority.
The background is characterized by a dramatic sky filled with swirling clouds and a distant mountain range that establishes a sense of scale and vastness. This atmospheric perspective contributes to the overall feeling of grandeur and reinforces the magnitude of the event being depicted.
Subtleties within the painting suggest layers of meaning beyond a simple depiction of military victory. The inclusion of civilian figures among the fallen implies widespread suffering, not just amongst combatants. The city’s vulnerability – its walls breached, its buildings engulfed in smoke – hints at the fragility of even the most formidable civilizations. The composition seems to explore themes of power, loss, and the inevitable consequences of conflict, while simultaneously celebrating a moment of imperial triumph.