Metropolitan Museum: part 2 – Domenico Fetti 1591/92–1623 Venice) - Salvator Mundi
Domenico Fetti 1591/92–1623 Venice): Italian, Rome (? ca. 1622–23; Oil on wood; 23 1/2 x 17 1/4 in. (59.7 x 43.8 cm)
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The composition places the figure upon what appears to be a globe, suggesting dominion or universal authority. One hand is raised in a gesture of benediction or blessing, while the other holds a small cross – a clear symbol of faith and sacrifice. A cherubic infant clings to the robe near the figure’s waist, adding an element of tenderness and hinting at themes of divine protection and innocence.
The background is dominated by swirling clouds, rendered in shades of grey and white that create depth and atmospheric perspective. Light breaks through these clouds, highlighting the central figure and emphasizing their spiritual significance. At the lower left corner, a cluster of dark foliage obscures part of the landscape below, grounding the scene while simultaneously maintaining focus on the celestial realm above. The figure’s bare feet are visible at the bottom edge of the painting, suggesting a connection to the earth despite their elevated position.
Subtly, the artist conveys a sense of divine power and grace through the use of light, color, and gesture. The blue robe evokes associations with royalty and holiness, while the halo reinforces the figure’s sacred status. The infants presence introduces an element of vulnerability and maternal care within this otherwise imposing depiction. The overall effect is one of reverence and hope, presenting a vision of salvation and divine intervention.