Metropolitan Museum: part 2 – Hans Schäufelein - The Dormition of the Virgin; (reverse) Christ Carrying the Cross
Hans Schäufelein: German, 1482/83–1539/40 Nördlingen and Master of Engerda (German, active ca. 1510–20); ca. 1510; Oil on wood; 55 x 53 1/8 in. (139.7 x 134.9 cm)
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The arrangement of the figures suggests a narrative progression. On the left side of the composition, several men are depicted holding lanterns, illuminating the scene with flickering light. Their postures convey a sense of mourning and solemnity. The central male figure seated on a low platform holds a lit candle, his gaze fixed intently upon the woman. He seems to be an active participant in the event unfolding before him.
To the right, another man is shown holding a book, presumably reading aloud or reciting prayers related to the occasion. His posture and facial expression suggest deep contemplation and spiritual engagement. The remaining men are arranged in a tiered fashion, receding into the background, their faces displaying varying degrees of sorrow and respect.
The artist’s use of color contributes significantly to the overall mood. The predominance of earthy tones – greens, browns, and reds – creates a somber atmosphere, while the white garments worn by the central figure emphasize her purity and divine status. The golden halo serves as a focal point, drawing the viewers attention to her spiritual significance.
The architectural backdrop is rendered with meticulous detail, suggesting an intentional effort to ground the scene in a tangible reality. The interplay of light and shadow further enhances the sense of depth and drama. The composition evokes themes of death, mourning, faith, and divine grace. It seems to depict a moment of transition or farewell, imbued with profound religious significance. The careful arrangement of figures and their gestures suggests a carefully choreographed ritual, underscoring the solemnity of the event being portrayed.