Metropolitan Museum: part 2 – Dora Wheeler - Fairy in Irises
Dora Wheeler: 1856–1940 1888; Watercolor, gouache, and graphite on off-white thick wood pulp wove card; 10 x 7 3/8 in. (25.4 x 18.7 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The most striking feature is the pair of large, feathered wings extending from her back. These are not depicted as symbols of triumphant flight but rather appear heavy and drooping, their edges blurred into the surrounding gloom. They contribute to an impression of vulnerability and confinement rather than freedom. The woman holds a single iris blossom close to her chest, its purple hues providing a focal point amidst the subdued palette. This gesture could be interpreted as a symbol of hope or remembrance within a landscape of despair.
The background is dominated by a thicket of irises, their forms loosely defined and blending into the darkness. These flowers, traditionally associated with faith, wisdom, and royalty, are rendered in a way that obscures their inherent beauty, suggesting a corruption or fading of these ideals. The artist employed a limited range of tones, creating a sense of depth through subtle variations in color intensity rather than sharp contrasts.
The overall effect is one of quiet contemplation and subdued emotion. Theres an ambiguity to the figure’s identity; she appears both ethereal and grounded, suggesting a liminal state – a being caught between the mortal and the supernatural. The subtexts hint at themes of loss, longing, and the fragility of beauty within a world shrouded in uncertainty. The composition evokes a sense of isolation, as if the woman exists alone within her sorrowful domain.