Metropolitan Museum: part 2 – Édouard Vuillard - Mme Vuillard Sewing by the Window, rue Truffaut
Édouard Vuillard: French, Cuiseaux 1868–1940 La Baule ca. 1899; French; Oil on cardboard laid down on panel (per instructions of Charlotte Hale following pre-loan exam, Nov 22 2011).; 19 1/2 x 20 3/4 in. (49.5 x 52.7 cm)
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The artist has employed a restricted palette – primarily ochres, browns, reds, and creams – which reinforces the overall feeling of intimacy and introspection. The light entering from the window on the right is diffused, softening the edges of objects and contributing to a hazy atmosphere. This subdued illumination also flattens perspective, diminishing depth within the room.
The arrangement of furniture appears somewhat haphazard; a chair sits askew near the window, while another table stands isolated in the foreground. These details suggest an unstudied domesticity, a space lived-in rather than formally arranged. The presence of decorative elements – a chandelier on the ceiling and framed pictures on the walls – hints at a middle-class existence, yet these are rendered with a lack of overt grandeur, further emphasizing the understated nature of the scene.
Subtly, the painting conveys a sense of solitude and quiet contemplation. The woman’s activity – sewing – is traditionally associated with domesticity and patience, but here it seems to exist in a space devoid of other human presence. The closed doors suggest a separation from the outside world, reinforcing this feeling of isolation. The patterned wallpaper, while visually engaging, also contributes to a sense of confinement, as if the woman is enveloped within her surroundings.
The overall effect is one of gentle melancholy and quiet observation; it’s not merely a depiction of a room but an exploration of interiority and the subtle nuances of everyday life.