Metropolitan Museum: part 2 – Unknown - Blindman’s Bluff: Page From a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu)
ca. 1715–20; India (Rajasthan, Mewar); Ink, opaque watercolor, and gold on paper; 9 7/16 x 10 7/8 in. (24 x 27.6 cm)
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The setting is rendered with considerable detail; a body of water dominates the middle ground, bordered by rolling hills covered in dense vegetation. A variety of trees are depicted, each exhibiting unique foliage patterns that contribute to the overall sense of abundance and vitality. Several animals – cows, deer, and what appear to be antelopes – populate the landscape, adding another layer of naturalism to the scene.
The figures surrounding the blindfolded man display a range of reactions: some are frozen in place, seemingly anticipating his approach; others actively dodge or playfully tease him. The artist has captured a sense of movement and spontaneity through their varied poses and expressions. A few figures appear to be observing from higher ground, adding depth to the composition.
The color palette is vibrant, dominated by blues, greens, and yellows, which contribute to the overall feeling of joy and lightheartedness. The sky is a deep blue, punctuated by a stylized sun. An arched structure, possibly an entrance or gateway, is visible on the right side of the scene, framed against the hillside.
Subtly embedded within this seemingly simple depiction are elements that suggest deeper narrative layers. The presence of cows and deer evokes associations with pastoral life and divine abundance. The blindfolded figure’s vulnerability might be interpreted as a metaphor for faith or reliance on something beyond immediate perception. The playful nature of the game, combined with the idyllic setting, could symbolize a moment of carefree innocence within a larger mythological context. The arrangement of figures suggests a hierarchical structure, hinting at social dynamics and power relationships within the group.