Metropolitan Museum: part 3 – Eugène Boudin - Beaulieu: The Bay of Fourmis
Eugène Boudin: French, Honfleur 1824–1898 Deauville 1892; Oil on canvas; 21 5/8 x 35 1/2 in. (54.9 x 90.2 cm)
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A cluster of dwellings occupies the right portion of the view, their terracotta roofs providing a warm contrast against the predominantly blue and green palette. These structures are positioned along a promontory, seemingly integrated with the natural contours of the land. A small boat is moored close to shore, suggesting a working harbor or a place of leisure.
The water itself occupies a significant portion of the canvas, rendered in varying shades of blue that reflect the sky above. The surface appears calm, with subtle indications of movement through brushstrokes that suggest gentle ripples. Distant vessels are visible on the horizon, adding depth and scale to the scene.
The artist’s technique emphasizes atmospheric perspective; the distant elements appear softened and less distinct than those in the foreground. This creates a sense of vastness and openness, inviting the viewer into the landscape. The brushwork is loose and expressive, prioritizing capturing the fleeting effects of light and atmosphere over precise detail.
Subtly, theres an impression of quietude and tranquility. The absence of human figures beyond the implied inhabitants of the buildings contributes to this feeling. It’s a scene that evokes contemplation and appreciation for the natural world, hinting at a moment suspended in time – a snapshot of coastal life characterized by its simplicity and beauty.