Metropolitan Museum: part 3 – Frederick Richard Lee ) - General Garibaldi’s Residence at Caprera
Frederick Richard Lee ): English, Barnstaple 1798–1879 Hermon Station, Malmsbury, Cape Colony (South Africa 1865; Oil on canvas; 34 1/4 x 54 3/8 in. (87 x 138.1 cm)
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In the immediate foreground, rough terrain prevails – a jumble of rocks partially obscured by low-lying vegetation. This area appears untamed, suggesting a natural environment that has not been significantly altered. The artist employed a muted palette here, with earthy greens and browns dominating, contributing to a feeling of ruggedness.
The middle ground is defined by the prominent building itself. Its stark white walls contrast sharply with the darker tones of the surrounding landscape, drawing immediate attention. A flag flies from atop the structure, indicating its significance as a place of residence or authority. The architecture appears functional rather than ornate, suggesting a pragmatic and unpretentious character. To the right of the main building, smaller structures are visible, possibly outbuildings or ancillary residences.
The background stretches into the distance, revealing a flat expanse of water meeting a low-lying coastline. Distant hills rise on the horizon, their forms softened by atmospheric perspective. The sky occupies a substantial portion of the canvas and is rendered with loose brushstrokes depicting scattered clouds. This contributes to an overall sense of spaciousness and tranquility.
Subtleties within the painting suggest deeper meanings beyond a simple depiction of a residence. The juxtaposition of the natural, rugged foreground against the ordered architecture in the middle ground hints at a tension between civilization and wilderness, or perhaps between personal freedom and institutional structure. The isolated location of the building – perched on a promontory overlooking the sea – implies a sense of solitude and contemplation. It evokes an image of someone removed from the bustle of everyday life, engaged in reflection or strategic planning.
The subdued color palette reinforces this feeling of quietude and introspection. While there is a certain grandeur to the scene, it is tempered by a pervasive sense of melancholy and restraint. The flag, while signifying authority, does not dominate the composition; instead, it appears as one element within a larger, more complex narrative about place, identity, and perhaps even exile.