Metropolitan Museum: part 3 – Simon Denis - Mountainous Landscape at Vicovaro
Simon Denis: Belgian, Antwerp 1755–1813 Naples ca. 1795; Oil on paper; 8 5/8 x 12 7/8 in. (21.9 x 32.7 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Behind this primary elevation, successive layers of mountains recede into the distance, their forms gradually softening and becoming paler in hue. The artist employed a subtle gradation of color to convey depth, with cooler blues and grays defining the furthest peaks, creating an illusion of vastness. A band of trees runs along the base of the hills, acting as a visual anchor and providing a sense of scale.
A small settlement is nestled at the foot of the mountains, its buildings appearing diminutive against the grandeur of the landscape. The presence of this human element introduces a note of civilization within an otherwise wild setting.
The sky occupies a significant portion of the composition. It’s painted in varying shades of blue, with patches of white clouds adding dynamism and visual interest. These cloud formations are not precisely defined; rather, they appear as loose aggregations of paint, contributing to the overall impression of naturalism. The light source seems to originate from behind the viewer, casting shadows across the hillsides and highlighting certain areas.
The painting conveys a feeling of tranquility and solitude. It is likely intended to evoke a sense of awe for the power and beauty of nature. The subdued color palette and loose brushwork contribute to an atmosphere of quiet contemplation. Theres a suggestion of the sublime – the overwhelming grandeur of the landscape dwarfing human presence, yet simultaneously inviting observation and appreciation.