Metropolitan Museum: part 3 – Attributed to Alexandre-Hyacinthe Dunouy - Subiaco
Attributed to Alexandre-Hyacinthe Dunouy: French, Paris 1757–1841 Jouy-en-Josas 1780s; Oil on paper, laid down on canvas; 6 3/4 x 10 in. (17.1 x 25.4 cm)
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The artist employed a muted palette, favoring earthy tones – ochres, browns, grays – to depict the stone structures and surrounding landscape. The light is diffuse, creating a soft atmospheric haze that obscures details in the distance and lends an air of tranquility to the scene. Theres a deliberate lack of sharp contrasts; shadows are subtle, and highlights are understated. This contributes to a sense of timelessness and removes any immediate drama from the composition.
In the foreground, a low wall or retaining structure separates a cultivated area – indicated by some vegetation and what appears to be a small garden – from the built environment. A few trees punctuate the landscape, their dark foliage providing visual anchors within the predominantly stone setting. The perspective is elevated, allowing for a comprehensive view of the settlements layout and its relationship to the surrounding topography.
The composition suggests an interest in depicting a place steeped in history and tradition. The dense construction implies resilience and adaptation over time; buildings have been added and modified, reflecting successive generations’ needs and influences. The fortress at the summit reinforces this sense of enduring presence.
Subtly, theres a feeling of isolation conveyed by the scene. While the settlement appears inhabited, there are no visible figures present. This absence contributes to an atmosphere of quiet contemplation, inviting the viewer to consider the passage of time and the weight of history embedded within the landscape. The overall effect is one of dignified stillness – a place removed from the bustle of modern life, preserved in a state of serene antiquity.