Metropolitan Museum: part 3 – Asher Brown Durand - River Scene
Asher Brown Durand: American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey 1854; Oil on canvas; 24 x 34 1/8 in. (61 x 86.7 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
A dirt path winds through the lower section of the painting, leading the eye towards a small group of figures – seemingly farmers or herders – accompanied by livestock. The animals, primarily cattle and what appear to be sheep, are rendered with a degree of naturalism that suggests an emphasis on depicting rural life. Their presence introduces a human element into the otherwise expansive natural setting.
The artist employed atmospheric perspective effectively; distant hills fade into a hazy blue, creating a sense of vastness and contributing to the overall tranquility of the scene. The light source appears to be positioned slightly left of center, casting soft shadows and illuminating the foreground vegetation. This lighting contributes to a feeling of warmth and serenity.
The composition suggests an idealized view of rural America – one characterized by harmony between humanity and nature. The careful arrangement of elements – the winding path, the grazing animals, the distant river – implies a deliberate construction of a picturesque landscape. There is a sense of order and stability within this scene, hinting at themes of prosperity and connection to the land.
Subtly embedded within the idyllic surface lies an undercurrent of contemplation regarding human interaction with the environment. The path, while inviting, also suggests a journey or transition, potentially alluding to the ongoing development and transformation of the landscape itself. The scale of the tree relative to the figures emphasizes the power and permanence of nature in contrast to the transient presence of humankind.