Metropolitan Museum: part 3 – Edward Lamson Henry - The 9:45 Accommodation
Edward Lamson Henry: 1841–1919 1867; Oil on canvas; 16 x 30 5/8 in. (40.6 x 77.8 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The architecture of the station building itself is rendered with considerable detail; its wooden construction suggests a rural or small-town setting. A group of people congregates on the platform, some engaged in conversation while others appear to be waiting for loved ones or transportation. To the right of the station, a cluster of horse-drawn carriages and wagons indicates an alternative mode of travel, highlighting the transition between older and newer technologies.
The landscape backdrop is expansive, with rolling hills and trees visible under a cloudy sky. The artist employed a muted color palette, primarily utilizing earth tones and grays to convey a sense of realism and atmosphere. Patches of autumnal foliage suggest the passage of time and the cyclical nature of seasons.
Beyond the immediate depiction of travel and transit, the painting seems to explore themes of societal change and progress. The juxtaposition of the modern locomotive with the traditional horse-drawn carriages speaks to an era of rapid industrialization and its impact on rural life. Theres a sense of both excitement and perhaps a touch of melancholy associated with this transformation – a feeling that something familiar is being left behind as new possibilities emerge.
The arrangement of figures, their interactions, and the overall composition contribute to a narrative suggesting a moment frozen in time – a snapshot of everyday life during a period of significant historical transition. The inclusion of details like the dog near the carriages or the individual waving from the train platform adds layers of human interest and invites contemplation about the lives intertwined within this scene.