Metropolitan Museum: part 3 – Elihu Vedder - The Fable of the Miller, His Son, and the Donkey
Elihu Vedder: American, New York City 1836–1923 Rome ca. 1867–68; Oil on canvas; 6 1/2 x 10 3/4 in. (16.5 x 27.3 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The terrain dominates the visual field; it’s constructed of layered rock formations and sparse vegetation, painted with a loose, expressive brushstroke that conveys texture and depth. The palette is largely earth-toned – ochres, browns, and muted yellows – which reinforces the sense of natural austerity. A patch of greenish-blue sky appears at the upper center, offering a contrast to the warm tones below and hinting at an expansive, perhaps indifferent, environment.
The arrangement suggests a fable or moral lesson. The donkey’s labored gait and the young mans interaction imply a struggle with responsibility or the consequences of actions. The rough landscape serves as a symbolic backdrop, representing hardship or the challenges inherent in life’s journey. The lack of specific identifiers for the figures allows for broader interpretation; they become archetypes rather than individuals, inviting viewers to project their own experiences and understandings onto the scene.
The artists technique – the visible brushwork and simplified forms – contributes to a sense of immediacy and emotional resonance. It’s not a precise depiction but an evocative rendering intended to convey a feeling or idea more than a literal representation. The overall effect is one of quiet contemplation, prompting reflection on themes of labor, duty, and the complexities of human interaction with the natural world.