Metropolitan Museum: part 4 – Unknown - Portrait of a young woman with a gilded wreath
Roman Period; A.D. 120–140; Egypt; Encaustic, wood, gilding; H. 36.5 x W. 17.8 cm (14 3/8 x 7 in.); Rogers Fund, 1909; 09.181.7
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The woman’s expression is one of quiet composure; her gaze is directed forward with an intensity that avoids overt sentimentality. The artist has rendered her features with a degree of realism, emphasizing the slight asymmetry inherent in human faces. Subtle shading around the eyes and mouth conveys a sense of depth and volume. Her skin tone appears pale, contrasted by darker hair and eyebrows.
Around her neck, she wears a double strand necklace composed of small, dark beads interspersed with larger, lighter-colored elements – possibly pearls or gemstones. A portion of drapery is visible at the shoulders, suggesting a garment of rich fabric, likely purple or maroon in color. The folds are rendered simply, without elaborate detailing, which directs focus back to the woman’s face and the gilded wreath.
The use of gold leaf is particularly noteworthy. It not only highlights the wreath but also illuminates sections of her skin and clothing, creating a luminous effect that enhances the overall impression of elegance and refinement. The application appears somewhat uneven in places, hinting at a possible deliberate stylistic choice or perhaps the effects of age and restoration.
Subtly, the portrait conveys an air of restrained dignity. It is not a celebratory image; rather, it suggests a moment captured with quiet solemnity. The absence of any background details reinforces this sense of introspection, placing the viewer in direct contact with the subject’s presence. One might interpret the wreath as symbolizing virtue or victory, but its presentation lacks overt triumphalism. Instead, it contributes to an atmosphere of understated nobility and perhaps a hint of melancholy.