Goya (Spanish, Fuendetodos 1746–1828 Bordeaux) – Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850) Metropolitan Museum: part 4

Here we observe a portrait depicting a woman seated on what appears to be a cushioned chair or bench. The composition is straightforward: she occupies nearly the entire frame, presented against a dark, undefined background that emphasizes her presence and form. Her gaze is directed towards the viewer, creating an immediate connection, though it lacks warmth; theres a certain reserve in her expression.
The woman’s attire consists of a simple white gown with a high waistline, characteristic of late 18th-century fashion. The fabric drapes loosely around her figure, suggesting a degree of comfort and perhaps hinting at a relaxed social standing. She holds a small object – likely a fan or a rolled piece of paper – in her hand, positioned near her lap. This detail introduces an element of potential narrative; the item could signify leisure, communication, or even a concealed message.
The most striking feature is undoubtedly her hair. It’s rendered in vibrant shades of red and auburn, cascading down her shoulders and back in voluminous waves. The artist has employed loose brushstrokes to capture the texture and movement of the hair, creating a sense of naturalness despite its considerable volume. This elaborate hairstyle underscores her status within society, as such arrangements demanded significant time and resources for maintenance.
The lighting is focused primarily on the woman’s face and upper body, leaving the lower portion of her form in shadow. This selective illumination draws attention to her features and reinforces a sense of formality. The artists technique demonstrates an interest in capturing not just likeness but also character – a subtle melancholy seems to permeate her expression.
Subtly, the painting conveys a sense of quiet dignity and perhaps even a touch of introspection. While the subject’s attire and hairstyle indicate wealth and social standing, there is a lack of overt display or ostentation. The dark background contributes to an atmosphere of solemnity, suggesting that this is not merely a celebratory portrait but one intended to convey something deeper about her personality or position within society. The overall effect is one of restrained elegance and understated power.