Metropolitan Museum: part 4 – Frans Hals - Petrus Scriverius (1576–1660)
Frans Hals: Dutch, Antwerp 1582/83–1666 Haarlem 1626; Oil on wood; 8 3/4 x 6 1/2 in. (22.2 x 16.5 cm)
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The artist has rendered the man’s features with considerable detail. The skin exhibits the textures characteristic of age – wrinkles etched around the eyes and mouth, suggesting years spent in thought and conversation. A full beard, streaked with grey and white, frames his face, adding to the impression of maturity and gravitas. The hair is receding, revealing a pale scalp that contributes to the overall sense of age.
The man’s attire speaks to a position of some importance. He wears a dark robe or coat, fastened with what appears to be a ribbon held in his hand. A prominent, elaborately ruffled collar, rendered in white and subtly shaded to suggest volume and texture, draws attention to his neck and upper chest. The fabrics sheen suggests quality and expense.
In the upper left corner of the portrait, an inscription is visible, seemingly indicating a significant date or title. This detail hints at a deliberate effort by the artist to document something beyond mere physical likeness – perhaps a professional achievement or a milestone in the sitter’s life.
The lighting is carefully managed; it illuminates the face and collar, highlighting their textures while leaving the rest of the figure in relative shadow. This creates a focal point on the mans countenance, drawing the viewers attention to his expression and the details that reveal his character. The overall effect is one of dignified portraiture, intended not only to record appearance but also to convey something about the sitter’s intellect and standing within society.