Metropolitan Museum: part 4 – Adriaen Hanneman - Portrait of a Woman
Adriaen Hanneman: Dutch, The Hague 1603/4–1671 The Hague ca. 1653; Oil on canvas; 31 1/2 x 25 in. (80 x 63.5 cm)
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Here we see a carefully constructed image of wealth and refinement. Her attire consists of a black velvet bodice with a crisp white linen chemise visible at the neckline. The contrast between these fabrics highlights both luxury and modesty – a common trope in portraiture of this period. A delicate string of pearls adorns her neck, a clear indicator of affluence and taste. A small, dark floral embellishment is pinned to the bodice near her collarbone, adding a touch of understated ornamentation.
The woman’s hair is styled with loose curls that cascade around her face and shoulders. These are partially concealed by a dark veil or head covering, which further contributes to an air of mystery and perhaps alludes to piety or social propriety. A subtle sheen on the hair suggests meticulous grooming and attention to detail. Her complexion appears pale, fashionable for the time, and rendered with soft modeling that avoids harsh lines.
Her gaze is direct but not overtly engaging; it conveys a sense of composure and quiet dignity. The artist has captured a moment of stillness, suggesting an inner strength and self-assurance. The hand resting on her waist is positioned to reveal a bracelet, another subtle marker of status.
The subdued color palette – dominated by black, white, and pearl tones – reinforces the overall impression of restrained elegance and seriousness. The limited tonal range contributes to a sense of formality and timelessness. The darkness surrounding the figure isolates her, drawing attention to her individual presence and suggesting a certain distance from the world beyond the canvas.
Subtly, the portrait conveys not only an image of personal identity but also a statement about social standing and adherence to societal norms. It is likely intended as a record of status and lineage, meant to be viewed by contemporaries and future generations within her social circle.